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By Dan Moren

The Back Page: 6 Hardware Features

Much ado has been made of the features that Apple isn’t shipping along with the HomePod. There’s no support for stereo pairing, no multiroom audio, and no AirPlay 2, even though all were touted as major features of the device. But that’s fine—it’s no big deal, really. After all, there are plenty of other features that might come to the HomePod at a later date. As with the Apple Watch, the HomePod is the kind of device that Apple can enhance over time, adding new features and capabilities as they see fit.

But in order to really upgrade what the HomePod can do, eventually Apple is going to have to take the leap and update the HomePod’s hardware.

And that’s great, because I’ve got a few ideas.

Retina display: It’s inevitable. Pretty much every Apple product already has one, so why not the HomePod? How else are you going to see the latest cavalcade of angry tweets from across the room? You going to have Siri just read them to you? What even is an Apple product without a screen? What is this, the HomePod Shuffle?

Face ID: One complaint with the HomePod is that it doesn’t know how to identify different users. Good thing Apple’s already solved this problem. Face ID! Apple can embed its True Depth camera into the top of the HomePod. Then, whenever you want to ask it about what’s on your calendar or to send a text message to your mom, you can just go stare down at the top of it. It’ll even be able to learn your “yelling face” over time.

Heart rate sensor: You know how when you’re working out you want faster tempo music? Well, stands to reason the HomePod could figure this out automatically. Like, if I jump on my exercise bike in the living room, the HomePod can automatically play music that complements my current fitness level, whether it be “Flight of the Bumblebee” or the theme from “Rocky” or, I dunno, something by Sarah MacLachlan. Look, don’t judge. Sometimes I like to take it slow.

MagSafe connector: All-out dance parties can be dangerous. Lamps get broken, things get knocked off shelves, occasionally plaster shakes loose from the ceiling. To be fair, these are things I have learned from ‘80s movies, not personal experience, but I don’t think they’d lie to me. Anyway, seeing as how you’re paying $350 for this very fancy speaker, the least Apple can do is make sure that you don’t trip over the power cord and send the thing flying.

Headphone jack: Look, sometimes you don’t want the “highest-fidelity” sound. Sometimes you just want to listen quietly to yourself. What’s the deal leaving out the headphone jack, Apple? People want to be able to plug in their very expensive (or very cheap) third-party headphones.

USB-C/Thunderbolt 3 support: I…don’t really know why, but my understanding is people get very upset when it’s not there?

These are just a few suggestions off the top of my head, and while I’m not saying Apple needs to do all of these, I think I’ve made it pretty clear that without them, the first version of the HomePod is destined to be an epic flop.

[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]


By Jason Snell

Applications Folder: Cool Cat Saves the Weather

When I got my home weather station back in 2004, its Mac compatibility came in the form of a PC serial-to-USB adapter and the Davis WeatherLink app, a Java-based app that was years behind the PC version. It worked, more or less, but it was unreliable and had some sort of memory leak—at one point I had to write an AppleScript that would just quit and re-launch the app every few hours. I kept looking for alternatives, most of which were incredibly obscure unix scripts that were not remotely intended to run on the Mac.

Then in 2009 I found WeatherCat by Trixology, which has been my weather station app ever since. As you might expect from such a niche app, its interface is a little… homespun. But it’s got a lot of power and flexibility.

WeatherCat
WeatherCat

I’ve integrated it with my smart home tech by using its trigger system, which lets you fire off events when specific changes in the weather occur. Back when I used to have a colored smart bulb outside my front door (I don’t anymore), I had the light turn blue when it got below freezing. Since the weather station’s console resides in my bedroom, I can use Weathercat to detect when the humidity in my bedroom goes over a certain percentage, at which point it fires off a script that triggers an event on the IFTTT website that turns on a dehumidifier in that room.

The best thing about WeatherCat is that it not only comes with HTML templates, so you can view the current weather status in any web browser, but that it has a complete template language so you can customize it to your heart’s content. I stacked some functionality on top of that by having it output PHP code, so I could write smart templates that dynamically change based on weather conditions. I also use the flexible web templates WeatherCat generates to create a very simple text file that feeds a tool (BitBar) that displays the current temperature in my Mac’s menu bar.

I’ll be honest: my weather page design was created in the early 2000s and is hopelessly out of date. One of these days I will try to design a new, modern version, but for now it suffices. At some point I read up about JavaScript-based charting tools and created a bunch of charts for my page, though I’m still using WeatherCat’s (ugly, but functional) charts for a lot of data. I am not comfortable enough with the existing tools to figure out a way to more beautifully present the data coming from my weather station, but you never know. One of these days I might figure out a way to display pretty data.

Finally, many apps these days will let you point their weather data source at a personal weather station on the Weather Underground network. WeatherCat supports Weather Underground, so I’m able to call up the temperature in my backyard and display it on my iPhone and Apple Watch, via the Carrot Weather app.

WeatherCat may not be particularly beautiful, but it has served me well for nearly a decade. I’ve got the historical weather data archive to prove it.


By Dan Moren

A Thing We Like: 7 Wonders Duel

It’s hard to find good board games for two people. When my girlfriend and I are traveling, it’s nice to be able to throw a small game into our bag, just in case we have some downtime. I’ve found a handful over the years, but one of my favorites remains 7 Wonders Duel.

The original 7 Wonders has long been one of my favorite games, but its two-player mode was lackluster, to say the least. It was a cumbersome adaptation of a game that really is at its best with at least 3 players, as evidenced by the complicated rule changes imposed for just two players. Clearly the designers of the game agreed, because they ended up producing Duel as a version of the game that’s designed specifically for two players.

As in the full version of the game, Duel sees you each take control of a wonder of the ancient world as you attempt to build the best combination of military, scientific, and commercial advancements. However, the tweaking of mechanics for the two-player set up manages to both retain the feel of the full game while making it more manageable for two people. For example, instead of dealing out hands of cards and passing them back and forth, each round sees you constructing a pyramid-like tableau of options from which players can choose. Even better, some cards are face-up and some cards are face-down, making it a tactical decision whether you go for that one card you need before your opponent snakes it, or risk your strategy by choosing from the unknown.

There are slight changes in the way that military and science improvements work too, with the former becoming more of a see-saw that can tilt back and forth between the two players from moment to moment, and the latter providing potentially substantial game-changing effects that range from immediate advantages (like making building certain types of cards cheaper) to game-end bonuses (such as conferring extra points). As with the original, there are many strategies that can lead to a win, providing a lot of replayability.

If there’s a downside to Duel it’s that though it comes in a small box, it does have a decent number of pieces, which makes it less ideal to travel with. Even if you can shrink it down to a few Ziploc bags or smaller containers, you still run the risk of losing some of the pieces. (The cards, it’s worth noting, are smaller than normal-size playing cards, which definitely helps make things more compact) And while there is an iOS version of the full game, I don’t believe it currently includes the Duel variant.

Players of the original 7 Wonders will find Duel pretty quick to pick up, as it relies on most of the same mechanics with slight adjustments. New players should also find it a little less daunting than the full game, which can sometimes require a bit of a learning curve.

All in all, though, if you’re looking for a solid two-player game with a mix of tactics and strategy, you can’t go much amiss with 7 Wonders Duel.

[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]


By Stephen Hackett

The Hackett File: Living with Multiple Macs

For a long time, I used a notebook as my only computer. Through a string of MacBook Airs and MacBook Pros, I would carry my entire digital life around in my backpack, then dock it at my desk to an external display, keyboard, mouse, hard drives and more.

That changed when I bought my 5K iMac about a year and a half ago, when I built out my studio and office space. I wanted an iMac to have more screen real estate and power for editing, but the biggest upside was that work suddenly had a place. Sitting down at this door I chopped into a desk, in front of a 27-inch Retina display tells my brain It’s time to work.

For the times I need to record podcasts on the road or elect to work from the couch or my favorite coffee shop, I have an Early 2015 13-inch MacBook Pro. It’s a middle of the road model, but it more than meets my portable needs. It even has a keyboard that works and ports and stuff.

(AHEM.)

Using more than one Mac is a lot easier than it used to be. Even in the iDisk days, file syncing between computers was hit or miss, and often very slow. Files were often duplicated and mis-synced.

Then the miracle of Dropbox happened, blessing us all with reliable file syncing that worked cross-platform. I remember first setting it up in college on my 15-inch PowerBook and being blown away at how quickly files showed up on the Blue and White PowerMac G3 I kept running under the desk in my dorm room.

Dropbox is still critically important to how I work. Outside of my iTunes and Photos.app libraries, almost everything in my home directory is in Dropbox.

I’m in a whole bunch of shared folders for the various podcasts and projects I am a part of, and with the iOS app, it means I have access to much of what’s on my computer anywhere my iPhone can connect to the Internet.

Apple’s services have come a long way from the iDisk days of .Mac and MobileMe. iCloud can sync your Desktop and Documents, but I’ve avoided those features after hearing horror stories from some users.

Much of what iCloud excels at is behind the scenes, shuttling data back and forth between Apple’s various apps like Calendar, Notes, Reminders, Safari, Keychain Items and more.

This ever-present, all-knowing nature of iCloud means it’s powerful, but we often don’t notice its features until they break down. I don’t ever think about my Contacts database until I need a phone number I entered on my Mac that hasn’t found its way to my iPhone yet.

Thankfully, those hiccups have become less and less frequent over time as Apple has continued to improve iCloud and its various tentacles into the company’s operating systems.

Between Dropbox for my files and iCloud for just about everything else, I can move between my iMac Pro and MacBook Pro with relative ease, knowing my important data is present on both machines. Thanks to Dropbox selective sync and Photos’ ability to just download thumbnails, I can fine-tune what I need on my notebook, keeping in mind its smaller SSD.

I think Apple could take iCloud farther, equipping it to keep Macs running in sync in even more ways. The possibilities that come to mind are nearly endless.

tvOS 11 can keep home screens in sync across multiple Apple TVs, so why can’t I enable that for something like my Mac’s Dock or login items? Mail syncs smart mailboxes across Macs via iCloud, so why do I have to set up Finder favorites separately on each computer I use?

I can imagine a world where Handoff is broader than whatever app happens to be in the foreground. What if, when I logged into my MacBook Pro, iCloud had all the open apps, browser tabs and Finder windows from my iMac Pro ready for me? True session syncing could make picking up my notebook and walking out the door far more appealing than it is now.

These are things Dropbox will never be able to do, as iCloud is baked-in at the operating system level. However, Apple’s service lacks all but the most basic controls and settings. For the most part, a user can only turn something off then back on again to troubleshoot it.

Dropbox, on the other hand, offers numerous settings and a far more robust file recovery system on their website. If iCloud eats a bunch of your calendar data, you’re more or less stuck unless you can dumpster dive with Time Machine.

Apple has been unwilling to put a lot of user options into its iCloud preferences, and I understand why. How can it just work if a user has a bunch of toggles they can flip around? Apple wants iCloud to be seamless and invisible, quietly delivering data to your apps and devices in the background.

I firmly believe is that if Apple continues to expand what iCloud can do, especially on the Mac, it will need to cede some ground on this point. Right now, the “Optimize Mac Storage” option under iCloud Drive is about as complex as it gets:

For iCloud to grow in scope, it will need to grow in complexity. That’s not a bad thing, and I hope it doesn’t hold Apple back when thinking about how our devices can be made smarter and better by Internet services.

[Stephen Hackett is the author of 512 Pixels and co-founder of Relay FM.]


By Jason Snell

New year, new stuff

I’m not one of those people who does New Year’s resolutions. I do see the change in the calendar as an opportunity for a little bit of reflection, but more in the sense that every once in a while it’s worth stopping and thinking about what you’re doing. It’s a reminder that time is passing and that might be worth some consideration, but in the end it’s arbitrary—the Earth goes around the Sun every 365 days and at some point someone decided that roughly midwinter was the right time to flip the calendar over to a new year. (Yeah, I said midwinter, southern hemisphere people—the person who made that decision was almost certainly someone in the northern hemisphere, don’t you agree?)

Fortunately, the turn of the year is a natural time to reflect because there’s also generally an extended holiday around then. This year I didn’t travel anywhere over the winter break, but in many ways that was better—I was able to work a lighter schedule (my boss, who is me, is a real jerk about giving me time off!) and otherwise relax and reflect.

Anyway, late last year Dan and I were talking about this newsletter and where we wanted to take it in 2018. And we decided we wanted to change it up a little bit! So this issue has a couple of new features in it that we made up and we think might be fun to try out this year, Applications Folder and A Thing We Like. We’ll see! If they don’t work out, we’ll find something else to write, but it’s nice to have a new theme to riff on from time to time. Feel free to drop me a line at jsnell@sixcolors.com with what you like and what you don’t, as usual.

The revolution of the Earth around the Sun is also an opportunity to reflect about the larger world around us, which is the motivation in creating the Apple Report Card every year. I just posted the most recent edition, in which I report on the opinions of 50 people who closely watch Apple and get a general sense of how they think it’s going, in terms of Apple’s platforms and other areas of interest. I don’t think the results of the poll are surprising—in fact, I think they are never going to be surprising, because the people in the survey have been talking about all the issues covered in the survey for the previous year. But it is, I think, a valuable summary of the current mood of the room, if you will—where the pundits and developers and writers and podcasters think Apple is right now.

Now that it’s been going for a couple of years, it’s also a tool to measure trends. What products, platforms, or other items are trending up? Which ones are trending down? One of the more lowly rated areas in the poll—HomeKit—has risen in estimation every single year. It’s still not graded highly, but I think it says something that people’s view of Apple’s Home Automation/Internet of Things strategy keeps improving.

Do I think Apple looks at something like this survey and reacts to it? I do not. But again, I do think that I am asking people who create the “vibe” around Apple criticism and commentary throughout the year, and it’s the trends in opinion that end up potentially influencing Apple.

Does Apple listen to external criticism? Let me tell you, it absolutely does. Apple seems like it’s a black box that is entirely non-reactive to most of the things written about it, but let me assure you, the people at Apple are paying attention.

Does Apple act directly on external criticism? Not usually. Anyone who writes or speaks about Apple on a regular basis thinking that they’re going to make a difference on their own is probably fooling themselves. But I do know that external criticism (or praise) is often used as ammunition by individuals within Apple as ammunition when they’re arguing for a particular course of action.

I’ll grant you, “I provide the raw material for people within Apple to use while debating in meetings” is not as exciting a concept as “Apple quakes in fear when I criticize them,” but it’s much more accurate. Unless you’re Walt Mossberg, and he retired.

Happy new year, everyone! I hope you like the stories in this issue. Let us know if you don’t. Thanks for supporting the site.


Fake videogame records invalidated after 35 years

One of my favorite film genres is the documentary about people who care an awful lot about something that you don’t care about. I find the passion and enthusiasm that people bring to… whatever… to be entertaining and inspiring. Watch “The King of Kong” sometime—it’s a documentary about people who are obsessed with setting speed or score records for classic video games. It features one of my favorite moments in film history, when a guy going for a high score at Donkey Kong is being yelled at by his small child who really, really, really needs to go to the potty.

Anyway, video game records are a thing, which leads to this absolutely amazing story from Heather Alexandra at Kotaku about how the records of Todd “Mr. Activision” Rogers have been stripped by Twin Galaxies, the organization that is generally recognized as the arbiter of classic video game accomplishments:

Last year, speedrunner Eric “Omnigamer” Koziel called Rogers’ Dragster record into question. By Koziel’s account, the fastest achievable time should be 5.57 seconds. Using editing tools to allow optimal performance, he created a tool-assisted speedrun and was only able to hit that mark, rather than the 5.51 that Rogers claims.

The Kotaku story led me to this post on Twin Galaxies, in which the creator of the disputed game essentially shrugs. But that article includes this amazing embedded video by Apollo Legend that details the level of deceit that Rogers and an accomplice (who was acting as an official referee and has since gone on to be convicted of horrible crimes) went to in claiming all of these records.

More impressively, the video chronicles the work done by other people to analyze the details of the game and discover what the true “perfect scores” would be, right down to in some cases modifying the game code itself to create an impossibly easy run.

I love this stuff.


Report: Apple pushing back features, focusing on software quality in next major iOS release

Veteran tech reporter Ina Fried, writing for Axios:

Apple has shaken up its iOS software plans for 2018, delaying some features to next year in an effort to put more focus on addressing performance and quality issues, Axios has learned.

Fried’s been around for a long time, and generally has good sources, so I’d definitely believe there are priorities perhaps being shifted here.

However, it’s always hard to tell what its normal prioritization vs. what is some kind of unforeseen shift. The report suggests that features like a home-screen redesign and CarPlay changes have been pushed into 2019. But it also says that improvements to AR and parental controls will still happen, alongside performance improvements. So clearly we’re not seeing a total abandoning of new features in iOS 12.

It wouldn’t be hard to cast that as a response to the whole iPhone battery kerfuffle, or to repeated calls for improvements to software quality. That doesn’t tend to be the way Apple does business, though–not to say it can’t change; there have been lots of shifts in Tim Cook’s tenure of CEO.

The obvious comparisons are the tick-tock cycle of upgrades that macOS follows, and if that’s the case, I don’t think that’s a bad thing. Heck, I was promoting a similar strategy last week, so I can hardly come out against it.

But any major software release is all about prioritization, and I’m sure Apple has done the math of balancing new features vs. optimization pretty much every year. It may just be a matter of seeing behind the curtain this time around, combined with the context of the recent situations that Apple’s found itself in that makes this seem more significant. But it’s hard to say because, again, Apple tends to keep its hand pretty close to its vest.

In short: this is probably no cause for either panic or jubilation.


91: January 26, 2018

“Pod” is right in the name.


By Dan Moren for Macworld

It’s time for Apple to take a new approach to product releases

We’ll fix it in post.

It’s a longstanding joke in the podcast community–when somebody flubs a line or misspeaks during recording, we just kick the can down the road and repair it in editing. (For shows that actually do editing, anyway.)

But lately it’s started to seem like a more common occurrence across the tech industry, and even Apple’s jumped aboard the train. We’ve seen a number of places where Apple announced a particular feature shipping in a product–whether it be a new hardware device or a major software update–only to eventually release the product without said feature, promising it in a subsequent software update. The most recent example is the HomePod, which will lack support for multi-room audio, stereo pairing, and AirPlay 2 when it ships next month. But before that, we had iOS 11’s promised Messages in iCloud, Apple Pay Cash (which did ship in a later point release), and, again, AirPlay 2.

These sorts of things do happen, of course, and while you can chart examples back into earlier eras, the high number and profile of these situations recently has me looking back to what might be the root of the issue.

Continue reading on Macworld ↦


The HomePod cometh: https://www.apple.com/newsroom/2018/01/homepod-arrives-february-9-available-to-order-this-friday/
The iPhone X has been CANCELED: https://daringfireball.net/2018/01/iphone_x_one_year
You might be able to get the Google Arts & Culture app to waste time, depending on your location: https://itunes.apple.com/us/app/google-arts-culture/id1050970557?mt=8
Apple might ship a replacement for the 13-inch MacBook Air: https://www.macrumors.com/2018/01/23/apple-new-entry-level-13-inch-macbook-this-year/
Jason Snell’s review of the Brydge keyboard: https://sixcolors.com/post/2017/01/brydge-keyboard-129-review-closer-to-ipad-keyboard-perfection/
They also have a version for the 10.5-inch iPad Pro: https://www.brydgekeyboards.com/products/brydge-10-5-ipad-pro-keyboard
DJI’s cool little drone: https://www.theverge.com/2018/1/23/16922928/dji-mavic-air-drone-price-specs-release
Buy yourself a copy of the Exphoria Code: https://www.amazon.com/Exphoria-Code-Antony-Johnston/dp/178563061X/ref=la_B001K7LGV4_1_7?s=books&ie=UTF8&qid=1516735814&sr=1-7
Our thanks as well to The Art of Charm, an iTunes top 50 podcast that is packed with wisdom in the truest sense of the word. Go to (http://TheArtOfCharm.com/podcast) or search for The Art of Charm on iTunes or wherever you listen to podcasts, and start taking your life to the next level.


By Jason Snell

Apple in 2017: The Six Colors report card

Note: This story has not been updated since 2020.

It’s time for our annual look back on Apple’s performance during the past year, as seen through the eyes of writers, editors, developers, podcasters, and other people who spend an awful lot of time thinking about Apple.

This is the third year that I’ve presented this survey to a hand-selected group. They were prompted with 11 different Apple-related subjects, and asked to rate them on a scale from 1 to 5, as well as optionally provide text commentary on their vote. I received 50 replies, with the average results as shown below:

Since I was using the same survey as the two previous years, I was also able to track the change in my panel’s consensus opinion compared to the previous year. The net changes between 2016 and 2017 surveys is displayed below:

Judging by my panel’s responses, 2017 was something of a bounce-back year for most of Apple’s core platforms. But there was still plenty of concern to go around, especially when it came to the quality of Apple’s software.

But enough of this top-level summary. Read on for category-by-category grades and commentary from three dozen different Apple watchers.

Continue reading “Apple in 2017: The Six Colors report card”…


By Jason Snell for Macworld

What Apple must do to establish its new video service

It’s clear that Apple is building a video service. That much was obvious the moment it hired veteran entertainment executives Zack van Amburg and Jamie Erlicht. But you can’t flip a switch and create a streaming service—not even if you’re Apple. (You could buy one, but Apple has apparently chosen to build, not buy, at least for now.)

What has to happen between now and the day we all sit down and watch the first episode of van Amburg and Erlicht’s first major acquisition to play through our Apple TVs or on our iPads and iPhones?

Continue reading on Macworld ↦


Apple deprecating a whole lot of macOS Server

As pointed out by the fine folks in the Six Colors Members Slack1, Apple has released information on the future–or, more appropriately, lack thereof–of macOS Server:

macOS Server is changing to focus more on management of computers, devices, and storage on your network. As a result, some changes are coming in how Server works. A number of services will be deprecated, and will be hidden on new installations of an update to macOS Server coming in spring 2018. If you’ve already configured one of these services, you’ll still be able to use it in the spring 2018 macOS Server update.

Long story short, a whole slew of Server’s components are being shuffled off this mortal coil, including Mail, Messages, Calendar and Contacts servers, as well as web hosting, wiki hosting, and, yes, the VPN server. Apple has listed substitutes for most of the deprecated services, though most will probably require a bit more technical know-how to setup.

The built-in VPN service on macOS Server wasn’t without its problems, but it was a pretty handy–and easy–way to set up a secure tunnel to your network. I’d been hopeful Apple would work out some of the kinks, but it looks like it’s going in the other direction entirely. At least the good news is that you can still roll your own VPN using OpenVPN or similar.

If you already have the above services enabled, they’ll continue to work for a little while, but the writing’s on the wall, so don’t put any trust in them for the long term.


  1. What, you didn’t know we had a Slack? Well, go sign up to be a member and join us, already! 

By Dan Moren

Farrago is a powerful soundboard for podcasters, live performers

Note: This story has not been updated for several years.

A new app from veteran Mac developer Rogue Amoeba is always a reason to celebrate1, but that’s even more the case when the app in question fills an actual need. The latest offering from the team is Farrago, an attractive and powerful soundboard app that is not only impressive in its own right, but also works in harmony with the company’s other audio apps, such as Audio Hijack and Loopback.

For podcasters and live performers, Farrago provides a quick and easy way to have a library of sound effects at your fingertips. You can drag your clips into a grid, each of which is assigned a keyboard hot key; then, during your performance, you can trigger the sound clip with cursor or keyboard.2

Farrago

Farrago supports separate sets of sound clips, if you need to maintain different groups for different shows, and has a slew of customization options, including multiple volume levels per clip, fade-in and fade-out points, the ability to play a sound as a loop, and keyboard shortcuts to fade in or immediately stop all audio.

If you do happen to use a tool like Rogue Amoeba’s Loopback, it’s a pretty simple affair to mix microphone audio with Farrago, so that, for example, other people on a Skype call with you can hear both you and your sound clips.

Personally, Farrago is a lot more pleasant looking than the last tool I used for this purpose, which was simply QuickTime Player with a bunch of audio clips lined up and routed through Loopback.

There are other soundboard apps that have done what Farrago does, but probably the chief contender, Ambrosia’s Soundboard, hasn’t been updated in almost 5 years. And Farrago benefits from Rogue Amoeba’s long experience with developing audio applications.

You can grab a free, fully functional download of Farrago from Rogue Amoeba’s site, though it will degrade the audio after 20 plays per launch. A license will currently run you $39, a discount on the eventual $49 full price.


  1. Full disclosure: Rogue Amoeba’s CEO Paul Kafasis is a longtime friend. 
  2. Finally, I’ll be able to create the Morning Zoo-style podcast of my dreams. 

[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]


Apple previews iOS 11.3 with new Animoji, battery/performance toggle, more

While Apple doesn’t preview every point release, the company’s been known to do it before when announcing a midstream update of some significance.

Of the improvements described, the ones that caught my eye were the improvements to ARKit, which include the ability to put virtual objects on vertical surfaces like walls, and the briefly mentioned HomeKit software authentication feature–something that had been discussed during WWDC last year, and I thought had already been included in iOS 11. Apparently not?

Oh, also there are four new Animoji. In case you’re wondering what really drives adoption.

Also of note is that while iOS 11.3 does include a new iMessage-related feature–Business Chat–there’s no mention whatsoever of the iMessage in iCloud feature that was teased for iOS 11’s initial release, repeatedly pushed back, and eventually disappeared from Apple’s site (Update: As MacRumors notes, Messages on iCloud does appear to be back in the iOS 11.3 beta–at least for now.) . AirPlay 2, which we were yesterday told will arrive later this year for the HomePod in a software update, isn’t included in the iOS 11.3 update either.


HomePod goes up for order January 26, arrives on February 9

Turns out all you have to do is complain on Twitter, and lo and behold, Apple delivers.

HomePod, the innovative wireless speaker from Apple, arrives in stores beginning Friday, February 9 and is available to order online this Friday, January 26 in the US, UK and Australia. HomePod will arrive in France and Germany this spring.

At least one promised feature isn’t shipping on release, though. Apple says that multi-room audio will come later this year in a free software update. According to the now revamped HomePod product page, the same goes for the “stereo pair” functionality and AirPlay 2, which still has yet to materialize, despite being a promised part of iOS 11.

I’m not sure exactly when HomePod preorders start on Friday, but I’m really hoping not to have to wake up at 3 a.m.

Update: Updated at 9:01 a.m. Eastern with more detail on non-shipping features.


By Dan Moren

Quick Tip: Getting around Do Not Disturb with Emergency Bypass for calls, texts

Note: This story has not been updated for several years.

On our most recent episode of The Rebound, my co-hosts and I were discussing our usage of iOS’s very handy Do Not Disturb feature. One of them mentioned the frustration that it doesn’t apply to texts, which reminded me of a lesser known feature that accomplishes many of the same purposes: Emergency Bypass.

Added in iOS 10, Emergency Bypass is a way to ensure that you will always be alerted by a certain contact’s phone calls and/or texts, even if the phone is in Do Not Disturb mode and even if the mute switch is engaged. But this feature is a little bit hidden, so here’s how to turn it on.

Emergency Bypass

First, open the Contacts or Phone app, and go to the selected contact. Tap the Edit button in the top right corner, then scroll down and tap either the Ringtone field or the Text Tone field.

At the top you’ll see a slider for Emergency Bypass, which tells you that you’ll get alerts (sounds and vibrations) when that person calls or texts, even when Do Not Disturb is on. (If you want both call and text alerts to bypass DND, you need to activate this feature for both the ringtone and text tone separately.) Turn that on, tap Done, and you’re all set. You’ll notice the entry next to the tone will now say “Emergency Bypass On” instead of listing the alert sound.

If you want to get alerts, but don’t like the idea of sounds always going off, you can set the Ringtone or Text Tone to None and just enable a vibration instead. That can be handy if you’ve got someone’s ringtone set to Old Car Horn, for example. Not that I would ever do that to anybody.

[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]


Disney hires ex-Apple exec to guide video launch

Janko Roettgers at Variety:

Disney’s BAMTech Media has hired former Apple and Samsung executive Kevin Swint as SVP and GM, Disney SVOD Service, to build, and ultimately run, the company’s upcoming Netflix competitor, Variety has learned.

Most recently, Swint worked as VP product / content & services for Samsung, where he built out the company’s Milk Music streaming service as well as Milk Video, a mobile video aggregation service. Before that, he worked for five years at Apple, heading the worldwide iTunes movie business. Earlier in his career, Swint led digital products and services for Walmart.

Disney is gearing up to launch several streaming services, including an ESPN-branded one focused on sports and at least one more entertainment brand that will definitely be competing with Netflix. Interesting to see that they’ve picked someone who put in time working on movies at iTunes (not running a streaming service). The Apple-Hollywood connection runs both ways.


By Jason Snell for Macworld

iMac Pro review: Mac Pro power in the shape of an iMac

Four years since Apple last shipped a desktop Mac with the word “pro” in the name, the iMac Pro has arrived. Holding down the high end of the Mac product line until the day (hopefully in 2018) when a new Mac Pro arrives, the iMac Pro fuses the look of the 27-inch 5K iMac with the priorities of a professional workstation.

This is not a computer designed for the masses—a new iMac Pro starts at $5,000 and you can pay five figures for a high-end model. If you aren’t sure if you need the power of the iMac Pro, you almost certainly don’t. If, on the other hand, you are hungry for multi-core performance and a powerful GPU that will let you crank through intense tasks—in video editing, software development, photo and audio processing, science, graphics, and similar applications—this is the new Mac Pro you’ve been looking for, albeit in the shape of an iMac.

Continue reading on Macworld ↦



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