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Become a Six Colors member to read exclusive posts, get our weekly podcast and regular newsletters, and much more!By Jason Snell
August 25, 2026 6:00 AM PT
Apple unveils M6, M5 Ultra chips and updates its desktop Macs

In a bit of a late-August surprise while the world awaits word on the next generation of iPhones, on Tuesday Apple announced two new processors, the M5 Ultra and M6, which help power new iterations of its Mac Studio and Mac mini desktop computers. Both models are available to pre-order now and will ship on September 22 and will run macOS 27 Golden Gate.
Bridging the generations
The M6 chip kicks off Apple’s next chip generation, and is its first based on a 2-nanometer production process. It’s also got the first 12-core CPU in Apple’s base M-series chip line, up from 10 cores in the M4 and M5 generations.
Those CPU cores are in an interesting configuration: The M6 is the first Apple chip to mix all three of its CPU core types. The chip has six efficiency cores, four performance cores, and two super cores. According to Apple, each core design is focused on a different primary task: efficiency cores are meant to sip power (useful when running simple background tasks); performance cores are optimized for complex, multi-threaded jobs; and super cores were created to offer the highest possible single-threaded performance.
Apple claims that this design results in record-setting single-threaded performance and up to 1.2x speed improvements over the M5 chip. The M6 also offers a dual 16-core Neural Engine, for on-device AI performance. Memory bandwidth peaks at 170GB/s, 10 percent faster than the M5.
Just as the new chip generation arrives, the previous one (launched in October 2025) is completed. The M5 Ultra is Apple’s first new Ultra chip since it introduced the M3 Ultra in March 2025. Apple says it’s using the next generation of its UltraFusion technology to connect two dual-die M5 Max chips to make Apple silicon’s first quad-die chip. UltraFusion connects the two dies with bandwidth of more than 4.4TB/s, letting the four dies work as a single chip.
The M5 Ultra offers up to 36 CPU cores (12 super/24 performance), which Apple says results in up to 1.25x higher single-threaded performance and up to 1.3x higher multithreaded performance than the M3 Ultra. It offers up to 80 GPU cores and up to 512GB of memory with 1.2TB/s of unified memory bandwidth.
Meet the Mac mini

Previously available in M4 and M4 Pro configurations, the new Mac mini is available in M6 and M5 Pro chip options. The new base price is $899, up $100 from the previous base, for the same standard 16GB RAM/256GB storage configuration. The M5 Pro configuration starts at $1699, also up $100 from the model sold until Tuesday. (But keep in mind, the M4 Mac mini was introduced at $599 before Apple recently raised that price. Put together, it’s a 50% price increase over the model introduced almost two years ago. We all know why, but it still hurts.)
Because the Mac mini previously shipped with M4 processors, this new model picks up numerous improvements Apple made in the M5 generation, including GPUs better optimized for AI performance. Both models support Wi-Fi 7 and Bluetooth 6 via Apple’s N1 chip, and 2.5Gb Ethernet is now standard, with 10Gb Ethernet still available as an add-on. The M6 model supports Thunderbolt 4, but the M5 Pro model supports Thunderbolt 5.
Mac Studio advances in unison

At the same moment the Mac mini becomes split between two chip generations, the Mac Studio gets reunified with chips from the same generation: the M5 Max and the new M5 Ultra. As mentioned previously, the M5 Ultra is basically two M5 Max chips connected together by Apple’s dense, fast UltraFusion technology. Apple boasts that the M5 Ultra is the fastest chip Apple has ever created, which isn’t much of a stretch since the M5 Max was already pretty far up there.
The Mac Studio is effectively the replacement for the Mac Pro, and it’s alone in offering the Ultra-class chip. Apple has positioned the Mac Studio as ideal for local AI workflows, and the new models will still be able to cluster via Thunderbolt 5 to create even larger collections of memory and performance. Apple representatives pointed out that a four-Mac Studio AI cluster, like the one I saw on display at WWDC earlier this summer, is so efficient that it can be powered from a single standard wall outlet. (They even showed us a picture of four Mac Studios plugged into a power strip that was plugged into the wall.) In an era of data center excesses, Apple is clearly leaning into the possibility of small, efficient Macs being used to do local AI work rather than relying on huge, power-hungry cloud models.
As with the Mac mini, the Mac Studio gains M5 chip improvements that benefit AI models running on GPU cores, integrate the N1 chip for Wi-Fi 7 and Bluetooth 6, and support 2x faster storage with speeds up to 15GB/s.
The M5 Max Mac Studio starts at $2499, the same as the M4 model on sale until Tuesday. (But keep in mind, it was introduced 17 months ago for $1999.) The M5 Ultra model starts at $5499, up $200 from the M3 Ultra model previously on sale (which was itself originally offered for $3999).
The EU gives up and settles with Apple, John Ternus’s new home strategy starts to come into focus, and people at Apple just love the folding iPhone.
By Philip Michaels
August 24, 2026 12:41 PM PT
App Report: Easy listening, easier reading
We’ve got a pair of apps that help you get a little reading done, albeit with two different approaches. Still, whether you prefer having someone else read the articles to you or if you just prefer a cleaner feed of articles, there’s something for everyone in this week’s App Report.
If there’s something you think belongs in our weekly look at promising macOS and iOS apps, just drop us a line at apps@sixcolors.com with a brief description of the app in question. We can’t reply to every email we get, but we’ll certainly take a look at any and all apps for a future column.
Listen Later
Six Colors readers may be familiar with Listen Later, which has provided a way to turn articles you’ve been meaning to read into podcasts that you can listen to at your convenience. Recently, there’s been an expansion in the ways you can access the service, with both an iOS app and a Safari extension giving you new ways to send URLs and PDFs to Listen Later so that they can be converted into a podcast.
In the iOS version of Listen Later, a Submit tab offers a field for pasting text, HTML or links; there’s also an optional button for uploading PDFs to the service. I’m able to link Listen Later to my podcatcher of choice — in this case, it’s Overcast — and a new episode featuring the content I’ve submitted shows up in my feed after it’s been converted to audio form.
The Safari extension for macOS works much the same way, only there’s a button next to the search/URL field that I tap when I want to submit something to Listen Later.
Both the Listen Later iOS app and Safari extension for macOS are free downloads, with $2 in credits for new users. If you like what you hear, you’ll need to purchase additional credits through Listen Later to cover the cost of AI processing and audio generation.
PageFeed

Reading articles on your iPhone can be a delight, but scrolling from the start of the article to the end can take some of the pleasure out of the process. If that’s a problem for you, PageFeed comes to the rescue by adopting a more book-like format for a news reader. Instead of scrolling, you tap to turn the page to make your way through an article.
The idea, PageFeed developer Brad Moss says in the description for the iOS app, is to add some degree of calm to reading through your news feed. You can select the sources and topics you want to read about. A share sheet can also send articles you find elsewhere to PageFeed for a scrolling-free experience.
You can download the app to your iPhone or iPad for free and use it for 14 days to get a feel for PageFeed’s approach. After that, a one-time $10 fee unlocks the app for good.
Tansei

It would be unfair to describe Tansei as kind of a universal clipboard for your Mac, even if that’s what this utility does, at least in a broad sense. But Tansei is really a storage space for anything. Besides text and URLs, it can hold images, screenshots and even colors, keeping them in a shelf on the side of your display for you to access whenever you need.
In my testing, Tansei has already proven its worth for a weekly newsletter I put together every week. I include a lot of links in that newsletter, and previously, that meant keeping an open text document where I could copy down URLs to articles of interest for use when it came time to put a new issue together. With Tansei running on my Mac, all I have to do is copy the URL, and it shows up in Tansei’s shelf automatically. I can also drag-and-drop items into Tansei, and hide the app off to the side when I want an uncluttered screen.
I wish there was a way to exert a little more control over what gets copied. For example, while moving the newsletter text into the publishing site I use, every block of text I copy over appears in Tansei. At least the app offers a bulk management feature that I can use to delete unnecessary items in one fell swoop.
You can buy Tansei for a one-time payment of $7, though a three-day trial lets you use the app for free without restrictions.
WidgetScreen

The release of macOS Sonoma three years ago brought desktop widgets to the Mac. WidgetScreen now pulls off the same trick for your Mac’s lock screen, letting you add weather forecasts, calendars and other bits of information that remain visible even before you’ve unlocked your computer.
Specifically, WidgetScreen includes widgets for weather, clock, stopwatch, reminders and battery. You can also add a Now Playing widget that controls music playback or a Pomodoro widget for when you want to focus or take breaks. A $10 Premium purchase unlocks additional widgets, such as Live Lyrics and News, while giving you greater customization powers over your lock screen.

Not everyone is going to want to bring the widget experience to their Mac’s lock screen, but if you’ve ever wanted to replicate the iPhone’s widget capabilities, WidgetScreen feels like a simple way to do that.
MailTwin

I’m not fully sold on the value of AI-powered writing tools at this point in time, though that could be the professional writer in me talking. For people who don’t mash sentences together for a living, every little bit of writing assistance helps, especially when it comes to dashing off emails.
So in that sense, I can see the use case for MailTwin, which promises to help you draft emails using a voice drawn from the messages you’ve previously sent. Even more helpfully, MailTwin can differentiate between different email accounts if you keep your personal and business correspondence separate, so that the messages it generates aimed to be tonally appropriate depending on context. Replies are generated in a separate window, and you can paste the results into a draft in macOS’s Mail app if you’re satisfied.
MailTwin can tie into eight different AI providers, including the Apple Intelligence that’s already on your Mac. The data only passes between your Mac and the AI service, with nothing ever winding up on a MailTwin server.
You can try out the app for free. After 30 days, you’ll need to pay $20 to unlock the app, though that’s a one-time fee.
[Philip Michaels has been writing about technology since 1999, most notably for Macworld and Tom’s Guide. He currently finds himself between jobs, so if you need someone who can string a few sentences together (or make your sentences read a lot better), drop him a line.]
By John Moltz
August 21, 2026 12:25 PM PT
This Week in Apple: Let’s fight

First we’ll look at how AI IS TEARING THIS FAMILY APART! Then we’ll talk about Apple’s rumored AirPods with cameras, which are also a problem.
I’d like to have an argument, please
This week Anthropic announced that in order to identify AI from human-generated content it would be watermarking all text it generates by subtly altering the randomness at which its models picked the next word. While this might seem a perfectly cromulent means of accomplishing a worthy goal, it really rubbed John Gruber the wrong way, as if someone suggested putting autocomplete Swiss on his Philly cheesesteak AI.
Gruber subsequently keyed a post in which he called watermarking “a perversion of writing.” This prompted many others to say “A perversion of whatnow?”
Daniel Jalkut responded that “AI Can’t Adulterate its Own Writing”:
…to be offended by “the perversion of writing” you need actual writing to pervert.
Dan Moren responded similarly, saying that “LLMs aren’t writing”:
…A computer that has digested the work of thousands if not millions of people and regurgitated them according to a statistical model is equivalent to a person toiling by the sweat of their brow to bring meaning into existence from nothingness?
This is a post limited to Six Colors members.
Bulging Wallets and smart locks
Glenn Fleishman joins Jason to discuss the growth and change of Apple Wallet, and Jason’s anti-key policies that have led him to review yet another Smart Lock.
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August 21, 2026 9:00 AM PT
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By Jason Snell
August 21, 2026 8:30 AM PT
Schlage Sense Pro UWB smart lock review: What price beauty?

Back in March I took possession of an Aqara UWB Smart Lock, which allowed me to live out my Star Trek dreams by using Ultra Wideband technology to sense my arrival and unlock the door without any interaction from me. Now a second UWB lock has arrived on the scene, Schlage’s Sense Pro UWB smart lock. I’ve spent the last month locking and unlocking my front door with it, and it’s got some definite strengths over the Aqara lock—as well as some definite weaknesses.
Let’s start with the prices. The Aqara is $269, and the Schlage lock is $400. While it can be hard to justify a smart lock at any price, it’s extremely difficult to recommend one lock with much the same feature set over another when there’s this kind of price disparity.
And yes, these locks are very much playing by the same playbook: Both use UWB and Apple’s HomeKey technology to detect when your iPhone (11 or newer) or Apple Watch (Series 6 or newer) approaches your door, unlocking without having to wait or tap your device against the keypad. You can read my previous review for more about how this works, but it’s a huge improvement on both NFC tap-to-unlock and Bluetooth proximity detection, because it can wirelessly detect if you’re inside or outside the door—and only unlocks when you’re approaching from the outside.
The Schlage Sense Pro trades versatility for compactness and attractiveness. The Aqara lock is a big black slab, compared to a relatively squat keypad that comes in either black or satin nickel (a perfect match for my front door hardware). Schlage’s lock is undeniably better looking. It also has a light-up keypad so you can unlock it with a code, and you can program additional codes via the Schlage app or directly via the Apple Home app. And it supports NFC unlock, so if someone in your house doesn’t have a UWB device, they still have an avenue to electronically unlock the door via a tap.
Past Schlage smart locks—I used one for several years before buying the Aqara UWB model—offered a little 9-volt battery nubbin at the bottom of the outside to provide emergency power if the device’s batteries died and you needed to get into the house. This model has a USB-C port to do the same thing, and I don’t know about you, but I’m far more likely to source a USB-C cable (and an iPhone to provide power) than I am to find a 9-volt battery laying around outside my house.
Unlike the Aqara lock, the Schlage Sense Pro doesn’t have a thumbprint scanner or a physical key. The Aqara’s thumbprint scanner works but always seemed a bit pointless to me; the key, on the other hand, might have value if you like the idea of using a hide-a-key or giving a physical spare key to a friend. Alternately, it might seem unnecessary or even a security flaw. Trade-offs.

The Schlage Sense Pro is powered by four AA batteries that slide into the lock in a plastic sled; I found that if I was too forceful sliding the sled in, a battery occasionally popped out. I strongly prefer Aqara’s battery solution—a power-bank-style rechargeable battery pack that offers long life and a relatively easy USB charging path—to swapping AA batteries every so often.
My front door is not quite perfectly aligned, so automatic locks sometimes fail to lock it properly. The Schlage’s lock motor is forceful enough to do the job, but a lot less forceful than the Aqara’s, which would often have enough oomph to get the door closed even if it had to push really hard. In truth, though, both locks were equal in their ability to lock my weird door, though Aqara is much more aggressive in making a noise when it fails to lock the door, which I appreciated more than Schlage’s somewhat muted alert.
I also appreciated Aqara’s gesture to lock the door when leaving the house—you basically tap the pad anywhere—to be a lot easier to use than the Schlage lock, which requires you tap the top portion of the touch pad twice. I got used to the double-tap, but Aqara’s was faster and less fussy.
When testing the Schlage Sense Pro, I also ran into a very odd quirk where the lock became completely unresponsive until I pulled the battery sled out and put it back in—essentially, power cycling the lock. According to Schlage, this was likely due to a faulty lock and the company supplied me with a replacement that hasn’t shown any signs of the same issue.
Both locks do a great job of unlocking automatically. This is what the whole show is really about: If I walk up to a door with my watch on my wrist or my phone in my pocket, does the door unlock by the time I put my hand on the latch? Yes, almost all the time. Very occasionally there would be a slight pause when I reached the door, but almost never. It really is a magical feeling to have your door know that it’s you and unlock as you approach, and if you connect it to other HomeKit automations, you can have that unlock trigger other devices, like turning on your entryway lights.
In the end, the Schlage Sense Pro is a very nice lock, with a restrained look that I prefer to the Aqara’s industrial black block. Aqara’s extra locking methods (fingerprint, traditional key) are not really ones I feel are necessary. Yes, Aqara’s battery approach is better than Schlage’s, but I’ve been using AA-powered locks for ages, and it was fine, if a little annoying.
All in all, these locks are pretty close to even, with Schlage having the advantage in aesthetics. The problem is that the Schlage lock costs $130 more than the Aqara. If you don’t mind the extra charge for a more attractive lock, I won’t fault you, but for most people a smart lock is a bit of a splurge purchase as it is. It’s not the kind of product that can be snuck by household members who are less enthusiastic about technology, and sometimes the price tag is all it takes for the household to decide that it’s not worth doing.
The Schlage Sense Pro is a great product that brings that Star Trek feeling to my front door—but at a price that makes me wince. The first UWB lock that arrived on the scene, Aqara’s U400, is equally capable—and a lot cheaper.
By Jason Snell
August 20, 2026 4:17 PM PT
Open and move windows between displays automatically

When I was visiting my pal Myke Hurley in London last year, I noticed that he had a second display to the right of his main one. It was large and mounted vertically, and when he recorded a podcast, he kept all his recording information over there. I liked the idea of monitoring my recordings while they were going on, just for extra peace of mind, and a second display seemed like the right way to do it.
If only I had a second display! But I do, of course, because my main Mac is now a MacBook Pro. So I’ve taken to recording podcasts using the “Hurley Method,” with my Audio Hijack windows positioned on the laptop display, off to my left.
It’s nice, but if you know me, I quickly became frustrated by the number of clicks and drags I needed to perform every single time I record a podcast: Open up my laptop, open Audio Hijack, open the list of recording sessions, double-click on the one I’m using right now, then drag the window over to the laptop display.
So today I automated it.
None of my automations work if I haven’t opened the laptop, and while it sits next to my Mac in a nice stand from Twelve South, it’s closed most of the time. So my first step before moving windows to the laptop display is to make sure that the display is available! Fortunately, there’s a command-line command for that:
system_profiler SPDisplaysDataType
If you want, you can simplify the output by piping it through a grep command like system_profiler SPDisplaysDataType | grep -B1 "Resolution", but all I really want to do is search for the text string “Built-in”, which indicates that the laptop is open and its built-in display is running.
I automate most of my recording stuff using Keyboard Maestro macros triggered by an Elgato Stream Deck. So I built my automation into an existing macro in Keyboard Maestro, just adding a new if/then statement: If the calculation `SCREENCOUNT() > 1 returns true.

Then the macro runs the shell script, saves that to a local variable called LocalScreens, and it’s time for one more if/then statement, to ensure that this part of the macro only runs when more than one screen is attached and when the internal MacBook Pro display is active.

Unfortunately, the next step requires automating Audio Hijack, and while that app is very scriptable via JavaScript, and controllable via Shortcuts (or a plain text file?!), there’s no direct method of automating it from within Keyboard Maestro. So I created a basic Shortcut containing the JavaScript required to tell Audio Hijack to open a specific session by name, with the name passed to the Shortcut as input:

Then it’s a one-step item in Keyboard Maestro to run that shortcut with the name of my Audio Hijack session as the input:

(I wish this was cleaner and I didn’t need to run a shortcut. The alternative is to literally write out a text file containing the JavaScript and run it via a shell script. Is that cleaner? Doesn’t feel like it, but it’s more self-contained and doesn’t rely on the good graces of Shortcuts.)
Now that I know that my MacBook Pro display is open and my Audio Hijack session window is open, it’s a one-step command in Keyboard Maestro to make the move:

This one’s a little tricky. I have to use the Move and Resize Window command, but instead of standard numerical values, I need to use custom “smart” values that Keyboard Maestro supports. In this case, horizontally it’s SCREENVISIBLE(Internal,MidX)-600 —essentially, 600 pixels to the left of the midpoint of the internal display—and vertically it’s SCREENVISIBLE(Internal,MidY)-250—250 pixels up from the midpoint of the display. You can play around with the dimensions until the window ends up in the right spot, and of course, at the right size.
And that was it. Now, when I press my recording button on my Stream Deck, if my laptop display is open, the session window will automatically pop open on my laptop display. I sure do like it when things happen on my computer automatically.
Tech bag or brand recommendations, Apple’s most overlooked feature, the app we’d vibe code for ourselves, and our thoughts on the leaked AirPods with cameras for Visual Intelligence.
By Glenn Fleishman
August 18, 2026 3:28 PM PT
Add your own stuff to Apple Wallet

Wallet on iPhone is a bulging catch-all. Apple stores all your payment card information there, and it's an interface for adding and removing cards, as well as viewing associated details. It's the place where you interact with your Apple Card (like scheduling payments or viewing transaction reports), the Apple Card savings account, and Apple Cash. But it also handles related but miscellaneous categories of other things: tickets for events, reward cards, membership cards, your library card… really, anything with a number, a scannable code, or a connection to payment winds up there.
Despite all that, Wallet has been deficient: you couldn't easily add items to Wallet that the party issuing them hadn't formatted and made available with an "Add to Apple Wallet" button, whether from a website or within its app. Starting in iOS 27—coming in September but available in a public beta now—you can use a new pass-creation tool to make your virtual billfold even larger. Third-party tools still fill the gap for iOS 26 and earlier users, or for those who want customization that Apple isn't providing in Create a Pass.
Make your own Wallet entry
In iOS 27, open the Wallet app and tap the Add button in the upper-right corner. You'll notice that among the options you're familiar with, Create a Pass appears. Tap that.
If you have a device that supports Visual Intelligence and the pass has a barcode or QR code, tap Continue, and Wallet opens a camera sheet.1 When you tap the shutter button, Visual Intelligence analyzes the image and tries to extract elements, like your name, the organization name, or the code. If it can't, it will offer a Try Again and Create Pass Manually dialog.
If it's successful, Wallet next displays a preview screen. You can tap Add to accept the pass as it appears, or tap Edit Pass to modify the fields shown and the contents of those fields.

- Visual Intelligence requires Apple Intelligence, which is available on an iPhone 15 Pro, iPhone 15 Pro Max, iPhone Air, or any iPhone 16 or 17 model. ↩
Oops! All segments! This week we’ve got Snell Talk (tea), Upstream (Apple TV), Lawyer Up (regulations), Rumor Roundup (new iPhones), The Betails (final betas?), and Ask Upgrade!
Guy English joins us. We talk, of course, about John Gruber’s essay on Anthropic’s watermarking, Dan’s Six Colors response, and Gruber’s follow-up. We also talk about AirPods with cameras. 🎉 Lex had Eero troubles.
By Dan Moren
August 17, 2026 7:10 AM PT
LLMs aren’t writing
I’m not an AI hater: I’ve used it for my fair share of projects that involve coding or for troubleshooting various technology problems. In my work testing Apple’s Apple Intelligence releases, I’ve generated some images, all truly bizarre and many of them good for nothing beyond a joke.
But I have been fascinated by the response to Anthropic’s AI watermarking scheme, especially after I read my friend John Gruber’s full-throated rebuttal. I have great respect for John as a writer. He truly cares about details: he’s meticulous about the words he picks, the way he constructs sentences and arguments.
This is why I find his defense so puzzling. Because a large language model could not be further away from those ideals. In the title of his piece, John describes the watermarking system as “a perversion of writing.” That might be the case if AIs were writing. But they are not; they are simply generating text. Those two things are not the same. As per the premise of John’s piece, writing is about carefully picking the words and crafting the meaning of what you’re saying, things that AI do not—and patently cannot—do.
LLMs do not care about the words that they pick because they cannot care about anything.
Speaking of two things that are not the same, John rightly points out the difference between the phrases “he leaped at the chance” and “he jumped at the opportunity”. Those are indeed distinct—if semantically similar—phrases, each of which might be more apt in a particular situation; or, to put it in another fashion: the use of each of those phrases tells us something different, whether about the person being described or the writer.
But the LLM doesn’t know which of those phrases is the right phrase to use. It has a guess, based on its models and weights and inputs. But the ultimate choice of those phrases tells us nothing about the writer because there is no writer.
All of this outrage presupposes the existence of a “correct” answer that the LLM is eschewing because it was told to pick different words, but if there were a correct answer, then shouldn’t it be chosen every time? But an LLM’s non-deterministic nature doesn’t work that way. Because, at the end of the day, the AI does not truly know what any of these words mean. There is no ur-text. You might as well get mad at word choice in a lorem ipsum generator.1
Likewise the example of “my favorite tropical fruit.” John points out the ridiculousness of a watermarking scheme substituting “pineapple” for “banana.” Of course! Those are not reasonable substitutions (outside of a smoothie).
For a person. But a computer has no favorite fruits. It could not possibly know the right word to use. It has never tasted the sweetness of a pineapple or cut up a banana for its yogurt. So why would I possibly care what it thinks is the correct word for that scenario, right or wrong?
I get being mad about computers interfering with what we, the users, want. But in this, AIs are only the latest example. Autocorrect and autocomplete, computational photography, search engine algorithms: all of that has led us down this path where we’re willing to accept the decisions a computer makes for us. The LLM is just the ultimate expression of that.
Getting mad about your LLM’s choice of words is like being pissed that Godzilla stomped on your garden. Dude, the rest of your city is in flames. Sorry about your flowers, but, you know, *gestures at everything*. We’re already talking about technology with huge environmental, societal, and ethical ramifications. This, to me, is quite possibly the least upsetting thing that AIs have done.
Anyway, welcome to the “mad about AI” fold. Glad to have you, even if I wish maybe you would have been a little more upset about all the words that it stole from me and other writers—words that were all carefully chosen.
In the end, I can’t summarize it any better than to ask: if you care so much about word choice, why are you using AI to generate text?
If this does truly make AI-generated text worse, well…good. A lot of people are already willing to accept what an LLM churns out as “good enough” and, if I’m being realistic, I don’t think this will change anything. But if it does lead to more people being dissatisfied with the pablum they’re being fed and turning instead to writing and editing their own text, then that would actually be a positive outcome. Maybe it’d even mean fewer human writers being put out of jobs.
In the end, what upsets me the most about this is the tacit equating of AIs generating text to writers writing. A computer that has digested the work of thousands if not millions of people and regurgitated them according to a statistical model is equivalent to a person toiling by the sweat of their brow to bring meaning into existence from nothingness?
Get out of here with that garbage.
- Or autocorrect. Just now, as I typed “lorem ipsum”, autocorrect changed it to “lore Epsom”. ↩
[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]
By John Moltz
August 14, 2026 2:00 PM PT
This Week in Apple: Fun AND games? In this economy?

Apple looks to make a splash in September, the Watch may let its hair down, and Siri gets ready to bring us all the news that’s fit to $#!& about.
Numerology
Buckle up, buttercups, because some iPhone models will be no-shows at Apple’s September event, but that doesn’t mean it’s not gonna be HUUUGE!
“Apple has eight new products to unveil at September event: report”
This is all according to some guy named Mark Gur-man? (Am I spelling that right?)
Eight! Wow! That’s a lot! Well, before you swoon, only two of these are the actually “new” kind of new.
The iPhone 18 Pro, the iPhone 18 Pro Max, the Apple Watch Series 12, the Apple Watch Ultra 4, the new Apple TV 4K, and the HomePod mini 2 are all the next iterations of existing product lines. Nice, but exactly what you’d expect. The two actually new products are the iPhone Ultra and the new HomePad PadHome thingamabobber.…
This is a post limited to Six Colors members.
By Dan Moren
August 13, 2026 2:20 PM PT
Review: SuperDuper! 4 gets a stem-to-stern revamp, but is just as seaworthy as ever
Backups, as any computer user knows, are worth their weight in gold. If it isn’t backed up, it might as well might not exist. That’s why I have for years trusted ShirtPocket’s SuperDuper! to ensure that all my data is safe and sound. And now, for the first time in a very long time, the venerable backup utility has gotten a top-to-bottom update that brings it into the modern era without sacrificing any of the features—and, most importantly, the reliability—that its users have come to depend on.
While SuperDuper! 4 may look like an entirely new beast, its history has stuck around. It still explains what it’s doing in plain English. It still allows you to make complete, bootable backups. It still has its excellent Smart Update option to optimize the copying process.

But it’s gotten some significant updates too. There’s a new interface, for starters, which conforms to Apple’s current Liquid Glass aesthetic, love it or hate it. It’s a bit of a shock to the system after so long without a change, but it’s hard to deny that the old look had grown somewhat antiquated. The result is an app that makes backups as simple and straightforward as they should be, so that anyone can figure it out: click here to set your destination, choose what method, and click Go.
The changes to SuperDuper! 4 also run more than just skin deep. For example, it’s considerably faster than the previous version—up to an order magnitude faster using the new Turbo implementation of Smart Update, according to Shirt Pocket. That’s borne out in my real-world usage. For example, my last nightly backup of 20.55GB took less than 4 minutes.

There are new capabilities here, too. A new Preview feature lets you perform a dry run of your copy job, letting you see every file that will be changed without actually doing any of it. With a new background helper app, copies won’t interrupt whatever you’re doing. And there’s Shortcuts support, so you can run a workflow when your copy job is completed—or even have one of your shortcuts kick off a copy job.
I’ve been using betas of SuperDuper! 4 for a month or so now, and what’s impressed me most is how much it maintains that set-it-and-forget-it strength of the previous versions. The most important thing for a backup is that element of reliability, so when I open up the app and see “31 successful in a row” note, I know that my data is right where it should be. And if something goes wrong, it’s easier than ever to see what happened: click on a failed job and you’ll get the details, including an Apple Intelligence-powered summary of the job. (You can get that for completed jobs too.)
There are way more features here too, ones that I just don’t have much reason to use for my purposes, but might just well be what you’re looking for. For example, copy rules that let you handle certain files and folders in granular ways, such as excluding certain ones from backups; support for any file system that macOS understands; and there’s support for multiple copy jobs at the same time, even for those that are scheduled.
Backup apps may not be the most exciting software category, but I dare you to find one that’s more crucial. For me, SuperDuper! has done the job for years and I’ve never had any reason to complain about it. Nothing about that seems poised to change with version 4.

SuperDuper! 4 requires macOS 14 (Sonoma) or later. A free trial version lets you make unlimited full erase backups, but to unlock the rest of the features requires a one-time payment of $43.95. There’s also an upgrade discount for owners of SuperDuper 3 of up to 30 percent. (And, if you bought version 3 very recently, you may be able to get version 4 for free.) And good news: if you need to run backups on older systems, SuperDuper 3 is sticking around.
For everybody who’s already backing up their Macs, SuperDuper! 4 may offer some new features and speed increases that will make the process even smoother. For those of you who aren’t yet…what are you waiting for?
[Dan Moren is the East Coast Bureau Chief of Six Colors, as well as an author, podcaster, and two-time Jeopardy! champion. You can find him on Mastodon at @dmoren@zeppelin.flights or reach him by email at dan@sixcolors.com. His next novel, the sci-fi adventure Eternity's Tomb, will be released in November 2026.]
OpenAI’s hardware plans, our folding phone thoughts, smart lock experiences, and the future of the iPad.
By Jason Snell
August 12, 2026 2:50 PM PT
MLB hires indie Mosaic app developer

Formerly indie developer Jason Weingardt, on Threads:
Some personal news: I’ve joined the team at Major League Baseball, and the Mosaic app has come with me. The last 3+ months have, without question, been the wildest of my life. I’m beyond thankful to MLB for the chance to help shape how fans experience baseball, and even more thankful to the community of fans around the world who tried Mosaic, filed bug reports and feature requests, and helped shape it along the way.
We believe Mosaic can be a valuable tool to help learn more about what fans want…. I will keep working on Mosaic as part of my job…. Most importantly: Mosaic is sticking around. Features may come and go, but my ask is that you continue to write in with your feedback about what you like, don’t like, and what you’d want to see in a baseball app. I’m excited for what’s next, and I hope you are too.
Mosaic is a baseball app that’s been in TestFlight for a few months. (Scroll back through Weingardt’s Threads history for details.) From the moment I saw it, I was dazzled—it’s a great iOS baseball app that uses all of Apple’s platform technologies to lay out live game data and show off other MLB features in ways that MLB’s own app just doesn’t. And it even integrated with MLB TV, so if you’re a subscriber to MLB’s premium video service, you can watch games via Mosaic, including in the most mind-blowing multiview I’ve seen.

I don’t want to lean too much into the current state of the official MLB app, but it used to be so cutting-edge and great that when I was at Macworld, we gave it a zillion awards and ended up just inducting it into our “app hall of fame.” But over the years, that app has become generic and unfocused and one-size-fits-all. It is no longer a joy to use.
So Jason Weingardt wrote Mosaic, by himself, and it’s a properly great iOS app (that also runs on iPad and Mac and, as of today, Apple TV). I ran into Weingardt at WWDC and he was so happy that people had already fallen in love with his own personal semi-secret passion project.
We all pretty much expected Mosaic to be crushed by MLB once it figured out what was going on. No matter that it was using public APIs and honoring MLB’s own premium content subscriptions, it just felt like the kind of thing that was too good to be true.
Instead, to their immense credit, MLB hired Weingardt, and Mosaic is now apparently a part of MLB’s digital strategy. I almost can’t believe it. It’s the best possible outcome for Weingardt, MLB, and baseball fans with Apple devices.
I’m so happy to think that MLB’s apps may now be on a trajectory to go back to where they belong—in the app hall of fame.
By Jason Snell
August 12, 2026 10:53 AM PT
TerminalWidget makes custom widget building easy

I’m a huge fan of displaying ambient information in my computer interfaces, which on my Mac tends to involve putting data about weather, solar power and the like in my menu bar, so it’s available at a glance. My tool of choice for this is SwiftBar, itself a follow-on to BitBar (which has been rebooted as xbar). On my iPad, I’ve been using custom widgets generated with Simon Støvring’s Scriptable app to do the job.
Now here’s a new contender that generates widgets on both Mac and iOS: Brett Terpstra’s $20 TerminalWidget, which lets you send data to a widget from a command-line script, Shortcut, AppleScript, or a URL scheme.
Widgets are more complicated than little items that live in the menu bar. That’s why Scriptable uses little JavaScript scripts to build them. TerminalWidget has a basic set of terminology that lets you target specific widgets and provides some pre-filled functionality that lets you generate some design elements without much hassle. It’ll also just… take text you give it and display it if you want.
If you’re working via Shortcuts, you can update TerminalWidget using a bunch of different template types: Chart, Image, Progress, Table, or Text. Just as with the command line, each Shortcuts action contains a bunch of variables, so you can customize colors and fonts, add a caption and title, or other things that help fill out TerminalWidget’s templates. It’s by design a lot less flexible than something like Scriptable, where the sky’s the limit—but it’s also a lot more approachable, since you’re basically filling in the blanks with whatever data you want to provide.
I wasn’t really able to replicate my beloved Scriptable weather widget in TerminalWidget—not flexible enough—but TerminalWidget also supports straight-up image use, which allowed me to generate the contents of my Scriptable widget via script, output it as an image, and then tell TerminalWidget to load that image. So if you wanted to offload widget duties to your Mac or a remote server, you could do that and just display the image in TerminalWidget.
In a way, TerminalWidget turns its limitation (lack of flexibility) into a strength, because the learning curve is so gentle, especially if you use Shortcuts, which literally shows you every single possible variable you could possibly use, so you can tinker and figure out what you want to display. Dr. Drang is using it for planetary positions, because that tickles his fancy. If there’s something you’d like to put on a glanceable widget across iPad, iPhone, and Mac, TerminalWidget will let you do it. That’s a beautiful thing. Now I need to figure out what widgets to add to my own devices…