By Jason Snell
August 5, 2026 12:01 AM PT
Review: “Ted Lasso” returns, refreshed, to the pitch
“Ted Lasso” is back on Apple TV, which was no sure thing after the series more or less wrapped up in May of 2023. But it’s back for a fourth season, in which—after an episode-long visit to Ted’s home of Kansas City—the football-turned-soccer coach returns to Richmond, where—as teased at the end of season 3—a new women’s team is launching and just might need a coach.
I’ve seen the first half of the season, and I’m happy to report that though the teams have changed, this is still “Ted Lasso” through and through. Thematically the first three seasons were about Ted’s journey in running away from a dissolving marriage. With season four, a whole new set of themes begin to emerge.
Yes, love ’em or hate ’em Ted’s homespun aphorisms still abound. The relationship between owner Rebecca and marketing genius Keely continues to be as strong as ever. Higgins is still doing his Higgins stuff. Mae is still tending bar. Those three fans in the pub are as random as ever. But in coaching a barely-formed women’s team that is in desperate need of players and fans, “Ted Lasso” returns to its roots as an underdog story, which helps make the whole thing feel more like the show’s first season. (There’s even a press conference scene that is disastrous for entirely different reasons from the original.)
It’s great to have series co-creator Brendan Hunt back as Coach Beard, but the addition of Tanya Reynolds (“Sex Education”) as Alice Chilton introduces a new dynamic. Chilton is the only coach who can go into the locker room without permission, she thinks she deserves the managerial job, and she’s got some serious anger control problems. Reynolds adds a lot of grit to the proceedings, preventing it from becoming too much of a sickeningly sweet reunion love-fest.
The character least served from the season, at least so far as I’ve seen, is breakout character Roy Kent (Brett Goldstein). He’s there and has some moments, but since he’s the manager of the men’s team, he’s often relegated being a gruff, bearded question mark attached to questions about his relationship status with Keeley. I appreciate the ironic turnabout of the men’s manager being an afterthought who’s only relevant in terms of his romantic storylines, but I do wonder if Roy is too strong of a character to be served in such limited doses.
Anyway, the best review I can give to season four of “Ted Lasso” is that each episode made me laugh out loud, a lot. Not only was it nice to see these familiar characters again, but the show did the most important job any comedy has—it’s funny. Welcome back, coach.
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