By Shelly Brisbin
April 1, 2026 6:00 AM PT
Another life changed by the Mac
When I saw my friend Antony Johnston’s post on Six Colors, I instantly thought, “yeah, me too.” And as it happens, the very Mac model that changed Antony’s life put me on an entirely new road, too.
Just before I got my journalism degree in 1984, a professor named Jim Haynes sat me down and warned me that I would have more trouble finding a job than almost anyone in my class because I have low vision. I choose to believe that he meant it kindly, a warning to get ahead of any potential employers’ doubts, rather than as a pessimistic prediction about my future.
But he was right. My job search was painfully long, and I realized that at least part of the struggle had to do with the expectation that young communications specialists working for non-profits or government – a niche I thought I could play in – needed to physically paste up newsletters, brochures and other typeset publications. I’d already learned how unsuited I was for that during a college internship, what with the need to cut straight lines of galley copy and wield an X-acto knife on rubylith. I simply wasn’t equipped to do that sort of visual work.
Somewhere along the way, I went to an Apple demo of something called “desktop publishing.” With a Macintosh computer and a high-resolution printer called a LaserWriter, you could design, lay out and print a complete publication — no knives required. When I arrived for the demo, I was intrigued. By the time I left, I would have sold a kidney for a Mac-LaserWriter combo.
In my unemployed state, the only available source of funds was my parents. Ever the practical sort, they suggested that I learn more about what I now knew as DTP, before they would be willing to hand over more than $6,000 for my pipe dream.
So I rented my first Mac (a 512Ke), a copy of PageMaker 1.2, and an external floppy drive. The guy I rented it from, Robert Jagitsch, would go on to found PowerLogix, a company that sold Mac processor accelerators. I used to run into him at Macworld Expo in the 90s. But just then, his stock of Mac stuff for sale or rent appeared to live in the trunk of his car.
Without a LaserWriter, I couldn’t do much more than teach myself PageMaker. But my local AlphaGraphics offered laser prints for $1 a page. It didn’t take me long to realize I might be able to make desktop publishing work as a freelance business.
Pretty soon, my mom – who had given my sister a used VW Rabbit during college – agreed to fund a brand-new Mac Plus. It was my equivalent “welcome to adulthood” gift. I added PageMaker and a SuperMac DataFrame hard drive that cost an eyewatering $625 for 20 megabytes.
I launched the publishing business, creating everything from brochures to fancy reports for graduate students to newsletters for a city council member. AlphaGraphics was still my source for laser prints, but I quickly fell in with a group of interlocking businesses that offered scanning, full-service printing and access to Linotype typesetters that offered 1200 dpi output, versus the LaserWriter’s 300 dpi.
Eventually – four years out of college – I landed my first full-time professional job. With a Mac Plus on my desk, I edited and laid out monthly trade magazines for enthusiasts of supercomputers, DEC minicomputers and various UNIX systems. Despite a solid portfolio of published writing, I could never have talked my way into that gig without my Apple desktop publishing skills. Those years I spent at home cranking out newsletters had also made me a pretty good Mac system administrator and troubleshooter – skills that have followed me throughout my career
[Shelly Brisbin is a radio producer and author of the book iOS Access for All. She's the host of Lions, Towers & Shields, a podcast about classic movies, on The Incomparable network.]
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